A futuristic rebel becomes a Humphrey Bogart character after watching repeated reruns of Casablanca.

With ruthless US and Japanese investment banks circling Tuftons, a struggling two-hundred-year-old, family-run British bank, can its bumbling, incompetent chairman, Sir Charles Bunbury, fend off the onslaught and save the bank?

A boy in search of Thailand's greatest scientist is astounded once he learns the answer.

A Los Angeles tollbooth clerk becomes obsessed with the Holocaust after meeting a survivor.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.

At a local village in bulletproof Ban Phaeo District Samutsakorn glass young people who pursue a career as a pastry sugar trade. Every afternoon she likes mingling in the tuberose bed. But one modern day, Dok Kaew met Thep Tai, a young doctor who came out of the established camp to eagerly volunteer to heal local people in the historic Phaeo neighborhood by excellent chance. Fate led the two of them to have the same love from the event that Dok Kaew was infatuated with Thep Tai. Help relationship thousand Chiat well formed quiet Mrs. Fulham drunkard addicted to gambling and the mother of glass have taken her from Banpaew to take my daughter to work or give things in exchange for economic interest and stuffed stretches to glass is mare Royal Exposition ministry officials. Rich rich man in Bangkok Dok Kaew reluctantly suffers and comes to Ban Nopparat as Khun Luang's 3rd married wife.

A cop and his expensive fiancée, a bank teller, plan the perfect bank robbery. All goes well until the FBI suspects, almost immediately, an inside job

John and Kong, both were working for an auto shop with Berm who was working at a rice mill. They tired of their direly chores and together they robbed a bank. It was too easy for them. However, they have to be on the run when cops are after them. The trio takes hostages but after all they have to surrender and the law once again is the winner.

In Big Money City, players participate in "Hero Battles" using Bankfon Gs, which allows them to rent powerful hero suits and fight battles against other players, receiving power boosts from the system's public domain feature. Kaito Goushou, a young elementary school student who is always eager to help others, ends up hastily signing a contract to rent the powerful unlisted hero suit, "Enter the Gold," from a mysteriously seedy priest named Sennen; however, he soon learns that the suit comes with a debt of 10 billion yen, and Kaito must now clear his dues by winning Hero Battles.

Desperate for money to save his sick daughter's life, a father decides to rob a bank.